Review: Tropic Thunder

War Games

As the summer windles down, the days start to get a tad shorter and the school bells start to ring to bring the children back, there isn't much to offer at the movies, and that is an ultimate downfall that has constantly plagued August. Its first big feature, the three-quel to the Mummy franchise was underwhelming, and the highly anticipated Pineapple Express was nothing more than a shallow comedy that disappointed many. And while it may make loads of money, I'm still not betting a huge amount on the last hurrah of the season: the latest Star Wars cash in The Clone Wars. Still, over the horizon comes this film, a witty, poignant film that knows exactly what it's mocking. And I loved nearly every minute of that self-mockery.

The story seems simple enough. Filmming is underway of a Vietnam war epic that has gone awry. The film's director (Steve Coogan) is incompetent, the author of the original story (Nick Nolte) is a little looney, and its three stars, action man Tugg Speedman (Ben Stiller), funnyman Jeff Portnoy (Jack Black), and serious thespian Kirk Lazarus (Robert Downey Jr.) can't quite find a way to work together. Two other actors (Jay Baruchel, Brandon T. Jackson) are there to try and anchor the craziness. While the production is being threatened, Nolte's character suggests that the movie be made in the thick jungle to add that sense of realism. That doesn't go over so well, as the principle actors, and primarily Speedman, get caught up in a drug trade in Laos and are taken into a real life war zone.

Of the three leads, Downey is the key to the film's success. Downey is a master comedian, and makes every scene of his 100% authentic. There has been some controversy surrounding what some are calling an updated version of black face since his character underwent a procedure to change his skin tone. In reality, it is not a racial poke, it's a jab at method actors who pour way too much into a role (the film's more vulgar take on the portrayal of the mentally challenged and the parallels to Oscar-winning performances I found more offensive). Still, Downey is flawless. Black is okay and does deliver one or two very howling moments. As for Stiller, I've never really been able to buy into his comedy, but there are some moments when his appearance with the ensemble lightens the mood.

The other great addition to the cast is the supporting players. Coogan makes an all too brief appearance but gives a rousing speech that an innovative director would, Nolte gives light in his role, even brief roles from Bill Hader, Jon Voight, Lance Bass and even a strangely placed Matthew McConaughey do wonders in the few moments they have. However, it is the much publicized cameo by Tom Cruise as studio head Les Grossman that reigns supreme. His bald cap, fat suit, wide rimmed glasses and foul temper make an obvious caricature for a Harvey Weinstein or Scott Rudin. His presence is a continuous riot, and it's amazing.

In addition to acting, Stiller also directed, co-wrote and co-produced the film as well. I've never been a big fan of Stiller's directorial career. I didn't like the one-note joke of Zoolander and The Cable Guy speaks for itself. However, Stiller has found the perfect way to shoot this film with its blend of action and comedy. He also has the thanks of brilliant cinematographer John Toll, and he lights this film beautifully. The script is also very funny by Stiller, Justin Theroux and Etan Cohen.

I admit that I've always had a weak spot for industry movies. Whether they range from popular entertainment venues (Sunset Blvd., Get Shorty, Network) to some that are more obscure (Boogie Nights), I'm always interested in films that dissect an industry, and this movie does it pretty well. The funniest parts in the film actually come before the film officially starts, as faux trailers (some of the best parts of last year's flop Grindhouse) spoof on action films from the likes of Sylvester Stallone, the multiple role-playing comedies of Eddie Murphy (wouldn't there be a riot if the film's makeup was nominated for an Oscar?) and the shameless award-hungry vehicles (this one involves the love affair between Lazarus and a monk, played by Tobey Maguire - the film's second best cameo appearance). That sets a tone that the rest of film tries to live up to. It doesn't always, as some physical humor falls flat and Stiller can be an unimpressive force, but I'd say this is one self-ridiculing film that offers a hell of a time. ***1/2 / ****; GRADE: B+